12/22/09
11/12/09
10/30/09
10/27/09
10/26/09
Sare Nabiyan da Nabi
The greatest qawal Nusrat Fateh Ali Khan live
Maybe,the quality of a qawwali is not the words he utters or the music he plays, but the state he induces...
Maybe,the quality of a qawwali is not the words he utters or the music he plays, but the state he induces...
10/19/09
Nitin Sawhney
Nitin Sawhney is an Indian-British musician, producer and composer. His critically-acclaimed work combines Asian and other worldwide influences with elements of jazz and electronica and often explores themes such as multiculturalism, politics and spirituality.
10/14/09
10/6/09
10/3/09
D'damas
9/27/09
Sindur Khela
photo by Sanchita Mukherjee from http://photopia.shutterchance.com/
"Sindur Khela" is a major event of Navratri Dashami. Married women apply vermilion to each other and greet each other with sweets. It is in the evening when Goddess Durga is immersed. Bengalis greet each other with bijoya greetings and men follow the customary 'Kolakuli' (embrace each other).
9/26/09
9 colours - Purple
9/25/09
9 colours - Parrot Green
9/24/09
9 colours - Peacock Green
9/23/09
Boy George and Krishna
Inspired by his involvement in the Hare Krishna movement (ISKCON),Boy George had written the song during a trip to India in 1989.
From bombay to bangalore
All the hindus know the score
If you wanna live some more
Hare, hare, hare
If you do not take the vow
You can eat the sacred cow
Youll get karma anyhow
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Do the right thing with your hands
Lay down on the pleasing sands
Whatever else your faith demands
Hare, hare, hare
From bombay to rajastan
Nitai guara, radha syam
Hare krishna hare ram
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
In the desert jahshamire
They put kun in their hair
At the westemers they stare
Hare, hare, hare
Paint a tilak on your brow
Open like a lotus flower
Its time to check your karma now
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
We say radha syam
Bow down mister
We say radha syam
Bow down mister
Raise your head and lift your hands to the lord
Hare krishna hare krishna krishna krishna hare hare
Hare ram hare ram rama rama hare hare
Hare krishna hare krishna krishna krishna hare hare
Hare ram hare ram rama rama hare hare...
From bombay to bangalore
All the hindus know the score
If you wanna live some more
Hare, hare, hare
If you do not take the vow
You can eat the sacred cow
Youll get karma anyhow
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Do the right thing with your hands
Lay down on the pleasing sands
Whatever else your faith demands
Hare, hare, hare
From bombay to rajastan
Nitai guara, radha syam
Hare krishna hare ram
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
In the desert jahshamire
They put kun in their hair
At the westemers they stare
Hare, hare, hare
Paint a tilak on your brow
Open like a lotus flower
Its time to check your karma now
Hare, hare, hare
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
Hare rama, hare krishna
Bow down mister
We say radha syam
Bow down mister
We say radha syam
Bow down mister
We say radha syam
Bow down mister
Raise your head and lift your hands to the lord
Hare krishna hare krishna krishna krishna hare hare
Hare ram hare ram rama rama hare hare
Hare krishna hare krishna krishna krishna hare hare
Hare ram hare ram rama rama hare hare...
9/22/09
9/21/09
9/20/09
Chhau dance
Chhau is a masked dance, the motif of which has been drawn from the mythological picturesque. In the opinion of some people "Chhau" is a dialect which meams six faces, Viz. fore head, eyes, nose, cheeks, lips and chin and a mask bears the six parts of the face. The word 'Chhau' is derived from the Sanskrit word 'Chhaya' meaning 'shade image mask' which is an essential features of this art.
The beginning of Chhau dances is lost in hoary past and the rulers have been intimately associated with religious festivals known as "Chaitra Parva" celebrated every year for several centuries.
The Chhau dance is of the people
By the people and for the people
Dance of mother of arts
Music and poetry exists in time...
The beginning of Chhau dances is lost in hoary past and the rulers have been intimately associated with religious festivals known as "Chaitra Parva" celebrated every year for several centuries.
The Chhau dance is of the people
By the people and for the people
Dance of mother of arts
Music and poetry exists in time...
Barong
9/19/09
9 colours of Navratri - Orange
9/18/09
9 colours of Navratri
Goddess Shakti is worshipped during 9 days of Navratri. Durga Navratri 2009 begins on September 19 and ends on September 28.The tradition of 9 colours is very common in Gujarat, Maharashtra and some other North Indian states during Durga Navaratri puja.
The Goddess of first day during Saran Navratri is dressed in Dark Green coloured saree.
8/8/09
Nadaka
"Classical Indian / Jazz Fusion is alive and well thanks to folks like Nadaka, who retain all the best elements of its 1970's roots while adding touches which keep a contemporary sound. These albums are among the gems of recent recordings in this genre". (The Internet Guide to Indian Classical /Jazz Fusion)
Nadaka's Live show with the Basavaraj brothers is outstanding! Here we find different traditions, Hindustan, Carnatic, Jazz, meshing seamlessly without losing their distinctness. We¹re in a unique zone where Nadaka's Indianised guitar leads us from traditional modes to more jazzy rhythms, from breathtaking fast passages back to soft soothing chords, where the Flute can be quick Carnatic one moment and Sitar smooth Hindustani the next; where the Violin can be intensely percussive or achingly fragile, the Tabla & Mridangam weave subtle accompaniments or explode into a solid wall of sound.
Nadaka - Guitar & Vocal
Balasai - Flute
Raghavendra - Violin
Sivaramakrishna - Sitar
Ganesh - Tabla & Ghatam
Kesavan - Mridangam & Kanjira
Nadaka's Live show with the Basavaraj brothers is outstanding! Here we find different traditions, Hindustan, Carnatic, Jazz, meshing seamlessly without losing their distinctness. We¹re in a unique zone where Nadaka's Indianised guitar leads us from traditional modes to more jazzy rhythms, from breathtaking fast passages back to soft soothing chords, where the Flute can be quick Carnatic one moment and Sitar smooth Hindustani the next; where the Violin can be intensely percussive or achingly fragile, the Tabla & Mridangam weave subtle accompaniments or explode into a solid wall of sound.
Nadaka - Guitar & Vocal
Balasai - Flute
Raghavendra - Violin
Sivaramakrishna - Sitar
Ganesh - Tabla & Ghatam
Kesavan - Mridangam & Kanjira
7/30/09
Mynta
Sweden and India find a common place in music through the ears and imagination of the group Mynta. Founded in 1979, the group has created their own genre of music, while preserving the integrity and traditions of their root sounds. The Swedish-Indian fusionists define world music, by extracting the organic elements that runs through the vein of centuries-old musical histories.
MYNTA is led by the Indian musicians Fazal Qureshi (tabla) and Shankar Mahadevan (vocal). These virtuosos within the classic Indian musical tradition have performed all over the world with such musicians as Hariprasad Chaurasia, Shivkumar Sharma, and Zakir Hussain. Fazal is the younger brother of Zakir Hussain, who belonged to John McLaughlin's famous group Shakti, one of the earliest fusion bands in Europe.
Performers
SANTIAGO JIMENEZ - Violin, Keyboard
DALLAS SMITH - Indian flute, Soprano, Clarinet
CHRISTIAN PAULIN - Electric Bass
FAZAL QURESHI - Tabla, Kanjira
MAX ÅHMAN - Acoustic Guitar
OLA BOTHZÉN - Percussion
SHANKAR MAHADEVAN - Vocal
MYNTA is led by the Indian musicians Fazal Qureshi (tabla) and Shankar Mahadevan (vocal). These virtuosos within the classic Indian musical tradition have performed all over the world with such musicians as Hariprasad Chaurasia, Shivkumar Sharma, and Zakir Hussain. Fazal is the younger brother of Zakir Hussain, who belonged to John McLaughlin's famous group Shakti, one of the earliest fusion bands in Europe.
Performers
SANTIAGO JIMENEZ - Violin, Keyboard
DALLAS SMITH - Indian flute, Soprano, Clarinet
CHRISTIAN PAULIN - Electric Bass
FAZAL QURESHI - Tabla, Kanjira
MAX ÅHMAN - Acoustic Guitar
OLA BOTHZÉN - Percussion
SHANKAR MAHADEVAN - Vocal
7/27/09
Sabri Brothers
The Sabri Brothers originally consisted of Ghulam Farid Sabri (1930 -1994; lead vocals, harmonium), Maqbool Ahmed Sabri (b.1941 ; lead vocals, harmonium), Kamal Sabri (d. 2001; vocals, swarmandal), Mehmood Ghaznavi Sabri (b. 1949; vocals, bongo drums, tambourine), Fazal Islam (chorus), Azmat Farid Sabri (chorus), Sarwat Farid Sabri (chorus), Javed Kamal Sabri (chorus), Umer Daraz (chorus), Abdul Aziz (chorus), Masihuddin (chorus, tanpura), Abdul Karim (dholak), and Mohammed Anwar (nal, tabla).
Gnawa
Gnawa music is a mixture of sub-Saharan African, Berber, and Arabic religious songs and rhythms. It combines music and acrobatic dancing. The music is both a prayer and a celebration of life. Though many of the influences that formed this music can be traced to sub-Saharan Africa, and specifically, the Western Sahel, its practice is concentrated in north Africa, mainly Morocco and Algeria.
Live video recording from the Essaouira 2008 Gnaoua and World Music Festival featuring Maalem Omar Hayat with Franck Vaillant (Drums), Jon Balcke Norway (Piano / keyboards), Mohamed Derouich (Guitar) France / Morocco, Ibrahim Maalouf (Trumpet / Lebanon).
7/20/09
7/13/09
Titi Robin in Jaipur
photo Louis Vincent
Born and bred in the west of France, Thierry “Titi” Robin is a musical internationalist, brilliantly combining flamenco guitar with Arabic oud and the dance music of Rajasthan’s snake charmers. Titi Robin and his formation "Trio" are playing in Jaipur's hotel (Rajasthan, India)
Tune: La ville rose & Suite pour Oud
Musicians:
Titi Robin: 'Ud, Guitar, Buzuq
Ze Luis Nascimento: Percussions
Francis Varis: Accordeon
Gulabi Sapera: Dance
Born and bred in the west of France, Thierry “Titi” Robin is a musical internationalist, brilliantly combining flamenco guitar with Arabic oud and the dance music of Rajasthan’s snake charmers. Titi Robin and his formation "Trio" are playing in Jaipur's hotel (Rajasthan, India)
Tune: La ville rose & Suite pour Oud
Musicians:
Titi Robin: 'Ud, Guitar, Buzuq
Ze Luis Nascimento: Percussions
Francis Varis: Accordeon
Gulabi Sapera: Dance
Bhavai
Bhavai is Rajasthan's famous folk dance comprising of a spectacular performance. This Dance form consists of veiled women dancers balancing upto seven or nine brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword. There is a sense of cutting edge suspense and nail biting acts in the dance.
7/11/09
Carnatic saxophone
The man who almost single-handedly made the Indian saxophone respectable was Kadri Gopalnath. Gopalnath’s premier student is Prasant Radhakrishnan, who learned carnatic music on saxophone in the traditional guru-shishya relationship with Gopalnath in India. But Radhakrishnan also has a bachelor’s degree in jazz performance (and international relations) from the University of Southern California. Because indian music and jazz have different ranges of expressive possibilities, this evolutionary process creates a remarkable fresh approach to improvisation.
Prasant Radhakrishnan - Saxophone
Ajay Narasimha - Violin
Poovalur Srinivasan - Mridungam
Raag: Malamalava Gaula
Prasant Radhakrishnan - Saxophone
Ajay Narasimha - Violin
Poovalur Srinivasan - Mridungam
Raag: Malamalava Gaula
Abida Parveen
Parveen is the only woman allowed to sing at the shrines of the Sufi saints.
How was this woman able to change the mind of a man who for many years had refused to give musical instruction to his own daughter, who would grow up to become the popular Pakistani vocalist Riffat Sultana?
Her style of singing is clearly different from any other prominent singer in this tradition, and not just because all of the others are male. Abida sings solo with a small ensemble of musicians, who follow the ebb and flow of her dynamic cues with remarkable skill and awareness. In quieter passages, she will often sing alap-like tempo variations in the middle of a piece as the harmonium and percussion pulsate quietly, then surge upward again with a driving beat.
How was this woman able to change the mind of a man who for many years had refused to give musical instruction to his own daughter, who would grow up to become the popular Pakistani vocalist Riffat Sultana?
Her style of singing is clearly different from any other prominent singer in this tradition, and not just because all of the others are male. Abida sings solo with a small ensemble of musicians, who follow the ebb and flow of her dynamic cues with remarkable skill and awareness. In quieter passages, she will often sing alap-like tempo variations in the middle of a piece as the harmonium and percussion pulsate quietly, then surge upward again with a driving beat.
Khansahib
Maestro Ali Akbar Khan passed away peacefully on June 18, 2009, 12 days after my previous post about he.
Khansahib (as he was affectionately and respectfully addressed)was admired and loved, and will be greatly missed.
Khansahib (as he was affectionately and respectfully addressed)was admired and loved, and will be greatly missed.
7/8/09
Bonalu
Bonalu is a famous festival of Andhra Pradesh which is especially celebrated with great aplomb in the twin cities of Hyderabad and Secunderabad. The term Bonalu comes form “Bhojanalu” or food offering which is made to the Goddess Mahakali.
During this festival women dress colorfully and perform a dance balancing exquisitely painted pots on their head. These women dance along with the mellifluous beats of the tunes sung in the praise of Goddess Mahakali. In these pots usually an offering for Goddess Mahakali is taken which includes cooked rice, water and sometimes pickles and onions. Usually this vertical Battery of pots is decorated in sacred colours (White, Yellow and Red). This colours are called as PASUPU, KUNKUM, and KADI. The pots, once ritually dedicated to the goddess before they are lifted on to the heads of the women carrying them, are considered to have got charged with the spirit of the Goddess. This woman walks with a intense feeling of being possessed by the spirit of the Goddess. Because of this mood in her, she is easily gets into trance and begins to move rhythmically in tune with the drum beat.
In 2009, the date of Ujjaini Mahankali Bonalu is July 12, Sunday and the Rangam will be celebrated on July 13, Monday.
7/3/09
Zucchini flower
7/2/09
6/30/09
6/28/09
Chalte chalte - "Pakeezah"
Beautiful Meena Kumari...
And beautiful ghazal written by Kaifi Azmi, music by Gulam Mohamed.
From the film "Pakeezah", directed by Kamal Amrohvi.
Of course sung by great Lata.
And beautiful ghazal written by Kaifi Azmi, music by Gulam Mohamed.
From the film "Pakeezah", directed by Kamal Amrohvi.
Of course sung by great Lata.
Sang Hyang Dedari
The Sang Hyang Dedari dance usually involves teenage or young dancers because of their purity: a virgin girl is considered holy. When it is performed, the dancers are in a state of trance, allowing them to make wonderful movements.
A holy priest, known locally as 'pemangku', then brings them out of the trance by saying a prayer and blessing them with the holy water. When they emerge from the trance, they are weak and exhausted and unaware of having danced on stage.The dance is performed when divine spirits temporarily descend on villages, revealing themselves through the entranced dancers. Sang Hyang is the name of the divine spirit, meaning holiness, while Dedari (meaning 'angels') describes the trance ceremony.
Performed by Ubud Panca Artha Group:
Foto from myudistira's photostream in flickr.com
6/27/09
Giya Kancheli
Giya Kancheli is Georgia's most famous living composer and arguably its best-known cultural export. He has written music for dozens of films, many of them well-known in the Russian-speaking world but virtually unknown outside it, such as Georgi Daneliya's sci-fi cult hit Kin-dza-dza.
Theme from this film by Moscow Virtuosi. Conductor: Vladimir Spivakov.
Theme from this film by Moscow Virtuosi. Conductor: Vladimir Spivakov.
6/26/09
Vogue in India
6/24/09
Rohit Bal
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